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...n almighty amount of volume, twice the speed of how they'd done it before, and said, 'This is ''it''! Come ''on''!' He was really aggravated. That was the
...|quotewidth=500px|Geoff Emerick, EMI Recording Engineer, ''Here, There and Everywhere'' with John Massey|2006}}
6 KB (1,027 words) - 17:00, 7 August 2011
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...ant to Hold Your Hand]]" / "[[This Boy]]" (UK) <br/> "[[I Saw Her Standing There]]" (US)(1963)
...is like I did on 'You Can't Do That.' There really isn't a lead guitarist and a rhythm guitarist on that, because I feel the rhythm guitarist role sounds
3 KB (398 words) - 16:01, 12 October 2012
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| Genre = [[Rock and roll]]
...today, sometime in the future, so the song projects itself into the future and then is nostalgic about the moment we're living now, which is quite a good
2 KB (220 words) - 20:33, 20 August 2011
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| Next single = "[[And I Love Her]]"<br/>(US-1964)<br/>—<br/>"[[Back in the U.S.S.R.]]"<br/>
...a song with harmonica we feature during the opening tram sequences — and 'Tell Me Why', a shuffle number that comes at the end of the film.|quotewid
3 KB (491 words) - 16:40, 20 August 2011
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| B-side = "[[This Boy]]" (UK)<br/>"[[I Saw Her Standing There]]"(US)
...ant to Hold Your Hand" / "[[This Boy]]"(UK 1963)<br/>"[[I Saw Her Standing There]]" (US 1964)
3 KB (411 words) - 07:39, 12 May 2014
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...s a period when I thought I didn't write melodies... that Paul wrote those and I just wrote straight, shouting rock 'n roll. But of course, when I think o
{{cquote|Fabulous. And we just loved singing that three-part too. We'd learned that from: (sings)
3 KB (385 words) - 20:51, 3 June 2014
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| Name = I Saw Her Standing There
| This single = "[[I Want to Hold Your Hand]]" / "I Saw Her Standing There"<br/>(US 1964)<br/>-<br/>"[[This Boy]]" <br/>(UK 1963)
2 KB (335 words) - 15:47, 7 August 2011
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...Your Hand]]" / "[[This Boy]]" (UK 1963) <br/>-<br/> "[[I Saw Her Standing There]]" (US 1964)
...e Loves You' then. And we just sat up in the hotel bedroom for a few hours and wrote it, you know.|quotewidth=500px|Paul McCartney|1963}}
4 KB (741 words) - 20:55, 3 June 2014
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...Your Hand]]" / "[[This Boy]]" (UK 1963) <br/>-<br/> "[[I Saw Her Standing There]]" (US 1964)
...and get more ideas. We wrote 'I'll Get You,' which is the B-side, first. And then 'She Loves You' came after that... We got ideas from that. Then we re
3 KB (405 words) - 17:54, 27 August 2011
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....' It could be done as an old Ragtime tune... especially the middle-eight. And so, we're not writing the tunes in any particular idiom. In five years time
...know it was mine. (humms melody) And then after that we just took it from there. We were just writing the next single. It was far bluesier than that when w
2 KB (320 words) - 15:06, 7 August 2011
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{{cquote|On 'Revolution' I'm playing the guitar and I haven't improved since I was last playing, but I dug it. It sounds the wa
...rian Epstein had stopped us from saying anything about Vietnam or the war. And he wouldn't allow questions about it. But on one of the last tours, I said,
2 KB (232 words) - 17:58, 7 August 2011
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{{cquote|George gave Derek Taylor a copy and asked him to hand deliver it to us, before the release of the song, along w
...he thing that hurts us most is George Harrison's knock at us as musicians. And I would like to ask this. If we have made such a disgusting mess of his bra
3 KB (519 words) - 14:30, 27 August 2011
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...We wanted to think of a good end and we had to decide what sort of backing and instruments would sound good. Like all our songs, they never become an enti
...and I sang half. I needed a middle-eight for it, but Paul already had one there. It's a bit of ''2001'', you know.|quotewidth=500px|John Lennon|November, 1
5 KB (1,011 words) - 10:43, 11 September 2011
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...f those ones that he'd had, that we've all got, really — half a song. And this was just one of those that was quite a hit with us. We used to do it w
...ream of writing a song like that. There's some things I never think about, and that's one of them.|quotewidth=500px|John Lennon|1980}}
3 KB (528 words) - 17:51, 7 August 2011
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# "[[I Saw Her Standing There]]"
# "[[There's a Place]]"
3 KB (370 words) - 14:28, 7 August 2011
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...y the Horse. The band would start at ten to six. All at Bishopsgate. Look, there's the bill — with Mr. Kite topping it. I hardly made up a word, just c
...t this thing that we found, which said, 'Being for the benefit of Mr Kite' and it was virtually all the lyrics to the song. I think he (John) was just adv
7 KB (1,189 words) - 13:16, 21 November 2012
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| Recorded = 9 and 21 February 1967,<br/>[[Abbey Road]] and Regent Sound studios, London
...u can come.' So he did, he came to the session and he did sit very quietly and I never saw him after that. I introduced him to the guys. They said, 'Who's
5 KB (970 words) - 14:48, 7 August 2011
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...out 'a little help from my friends.' He had some kind of structure for it, and we wrote it pretty well fifty-fifty from his original idea.|quotewidth=500p
...ly beans and toys on stage; and I thought that that if we ever did get out there again, I was not going to be bombarded with tomatoes.|Ringo Starr, ''The Be
3 KB (613 words) - 12:05, 14 August 2011
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...y way of trying to make a Western pop song using some of those instruments and some of those sounds.|quotewidth=500px|George Harrison}}
This was during the ''Sargeant Pepper'' period, and after I had been taking sitar lessons with Ravi Shankar for some time, so I
5 KB (827 words) - 17:55, 7 August 2011
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| Recorded = 23 February and 21 March 1967<br>[[Abbey Road Studios]], London
...he said, 'That would be a good idea for a song, do you mind if I use it?' And that was that. Off he went.|quotewidth=500px|Meta Davies, St. John's Wood's
5 KB (841 words) - 16:54, 7 August 2011
