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{{cquote|We think it's one of the best we've written.|quotewidth=500px|John Lennon|1 {{cquote|The whole Beatle thing was just beyond comprehension. When 'Help' came out,

{{cquote|Me. But I think Paul helped with the verse.|quotewidth=500px|John Lennon|19 {{cquote|That's mine. Including the guitar lick, the guitar break, and the whole bit

{{cquote|There was another song I wrote around 'Pepper' time that's still in the can {{cquote|That was a piece of unfinished music that I turned into a comedy record wit

{{cquote|The Yellow Submarine people, who were gross animals, apart from the guy who {{cquote|It's a happy place, that's all. You know, it was just... We were trying to

{{cquote|I was sitting at the piano when I thought of it. The first few bars just ca {{cquote|I got the name Rigby from a shop in Bristol. I was wandering round Bristol

{{cquote|I like some of the things the Animals try to do, like the song Eric Burdon {{cquote|We really got into the groove of imagining Penny Lane — the bank was t

{{cquote|It sounds like Elvis, doesn't it? No, it doesn't sound like Elvis... it IS {{cquote|Paul. Good piano lick, but the song never really went anywhere. Maybe I hel

{{cquote|I went back [to India] in 1967 to record the ''Wonderwall'' album, and also {{cquote|quotewidth=500px|''The Inner Light'' came really, from ''[[Within You, With

{{cquote|Well, when Paul first sang 'Hey Jude' to me... or played me the little tape {{cquote|That's his best song. It started off as a song about my son Julian because

{{cquote|On 'Revolution' I'm playing the guitar and I haven't improved since I was l {{cquote|I should never have put that in about Chairman Mao. I was just finishing of

{{cquote|We'd been talking about it since we recorded it, and we kept saying 'That's {{cquote|We were sitting in the studio and we made it up out of thin air. We started

{{cquote|(to Ringo, regarding the cymbal smash in the intro) 'Give me a big 'kzzzssh {{cquote|That's me, singing about Yoko.|quotewidth=500px|John Lennon|1980}}

{{cquote|It's something I wrote, and it's like an old-time ballad. It's the story of {{cquote|Well, guess who wrote that? I wrote that in Paris on our honeymoon. It's a

{{cquote|I started the chord sequences on the piano, which I don't really play, and

{{cquote|I think that's about the best track on the album, actually.|quotewidth=500p {{cquote|I like George's song 'Something.' For me I think it's the best he's written

{{cquote|'Come Together' changed at the session. We said, 'Let's slow it down. Let's {{cquote|On the new album I like 'Come Together,' which is a great one of John's.|qu

{{cquote|The album was finished a year ago, but a few months ago American record pro {{cquote|Paul again. He had a little spurt just before we split.|quotewidth=500px|Jo

{{cquote|'For You Blue' is a simple twelve-bar song following all the normal twelve-

{{cquote|'We were doing our Tamla Motown bit. You see, we're influenced by whatever' {{cquote|I think George and I helped with some of the lyrics. I'm not sure.|quotewid

{{cquote|Umm, that came about just 'cuz I'd read a review of a record which said, "A {{cquote|Helter Skelter means confusion. Literally. It doesn't mean any war with any