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...empo, but with a radically different tonal quality.|quotewidth=500px|Geoff Emerick, EMI Recording Engineer, ''Here, There and Everywhere'' with John Massey|20

...' [...] The remake, I had to admit, was quite good.|quotewidth=500px|Geoff Emerick, EMI Recording Engineer, ''Here, There and Everywhere'' with John Massey|20

...too well! They had joined up in the way that they had started. So, I told Geoff, 'That's no good, and turn that one back to front.' Eventually, we made a b

...ed repeat echo in his headphones, it gave him more excitement,' says Geoff Emerick. 'They'd finished doing the vocal on 'Lovely Rita' and he just started fool

...been using the same [methods] for years and years.|quotewidth=500px|Geoff Emerick, ''The Beatles: 10 Years That Shook The World'', ''Mojo ''|2004}}

...they brushed him off, saying 'That's okay, we're just doing a demo.'|Geoff Emerick, EMI Recording Engineer, ''Here, There and Everywhere''|2006}}

...n had me fly it in again during the song's fadeout.|quotewidth=500px|Geoff Emerick, EMI Recording Engineer, ''Here, There and Everywhere'', with Robert Massey

...her horn players to be able to do what he had done.|quotewidth=500px|Geoff Emerick, Recording Engineer, ''Here, There and Everywhere''|2006}}

...the Indian musicians commented afterward about it.|quotewidth=500px|Geoff Emerick, EMI Recording Engineer, ''Here, There and Everywhere''|20076}}

...a fuzz guitar — which were superimposed on top of one another. Geoff Emerick recalls that this was all George Harrison's idea and that he did the playin

...n much the same way. 'It meant actually breaking into the circuitry,' says Emerick. 'I remember the surprise on our faces when the voice came out of the speak ...the multi-track and played the faders like a modern day synthesiser,' says Emerick.|quotewidth=500px|Mark Lewisohn, ''The Beatles Recording Sessions'', p.72|1

...ennon's vocal, the first take with vocals, in fact. John deliberately kept Emerick's words as part of the song and thus they appear on the album. Secondly, th

...... Paul was determined to give a Lennon performance all by himself.|Geoff Emerick,''Here, There and Everywhere''|2006}}

...s to crossfade the start of "Eight Days A Week" with another single.|Geoff Emerick, ''Here, There and Everywhere''|2006}}

...w minutes — he was always really good at that.|quotewidth=500px|Geoff Emerick, EMI Recording Engineer, ''Here, There and Everywhere'', p.96-97|2006}}

...ked up the EQ to add some extra depth to the sound.|quotewidth=500px|Geoff Emerick, EMI Recording Engineer, ''Here, There and Everywhere'', p.95-96|2006}}

...I'd had no idea that he could even play keyboards.|quotewidth=500px|Geoff Emerick, EMI Recording Engineer, ''Here, There and Everywhere'', p.93|2006}}

...ect way to end the evening, just short of midnight.|quotewidth=500px|Geoff Emerick, EMI Recording Engineer, ''Here, There and Everywhere'', p.97|2006}}

...and the Beatles were when they were in their prime.|quotewidth=500px|Geoff Emerick, Beatles recording enginner, ''Here, There and Everywhere'', p.92|2006}}

...well. Even his solo, performed live, was flawless.|quotewidth=500px|Geoff Emerick, EMI recording engineer, ''Here, There and Everywhere''|2006}}