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...<br /><span style="font-style:normal; font-weight:normal; font-size:20px;">by Charles Roberts</span></div> ...&#151; 156 pages, paperback &#151; is limited to 500 copies and is signed by Charles Roberts and and the three Quarrymen, Colin Hanton, Rod Davis and Le

Hosted by Chris Carter, DJ at KLOS 95.5 in Los Angeles A Beatles Blog by Steve Marinucci

| Producer = [[George Martin]] ...nd there's no time for fussing and fighting my friend.' Then it was George Harrison's idea to put the middle into waltz time, like a german waltz... The lyrics

| Producer = [[George Martin]] ...st put a track down, because I knew the chords. I played a harpsichord and George played a violin, because we felt like doing it like that and Paul played a

[[image:Lennon-McCartney_DBailey.jpg|thumb|200px|right|caption|Photo by David Bailey &copy; 1968]] ...ht, shouting rock 'n' roll. But, of course, when I think of some of my own songs – "[[In My Life]]", or some of the early stuff, "[[This Boy]]" – I was

| Producer = [[George Martin]] ...we could edit it on the front.' It was a found object-- an accident caused by leaning the guitar against the amp. The song itself was more John's than mi

| Producer = [[George Martin]] ...id. I had used it in 'In His Own Write,' but it was an off-the-cuff remark by Ringo. You know, one of those malapropisms. A Ringo-ism, where he said it n

| Writer = [[Harrison]] | Producer = [[George Martin]]

| Producer = [[George Martin]] ...e|That's Paul completely. All that [Charles] Manson stuff was built 'round George's song about pigs and this one... Paul's song about an English fairground.

| Writer = [[George Harrison]] | Writer = [[George Harrison]]

| Producer = [[George Martin]] ...no idea about it, and, of course, after that, I went to see what the other songs spelt out. They didn't spell anything out. It wasn't about that (LSD), at a

| Producer = [[George Martin]] ...''Rubber Soul'' was the first one to emerge in this way.|quotewidth=500px|George Martin|19__}}

| Producer = [[George Martin]] ..., the Beatles had concentrated mainly on mastering the musical side of the songs &#151; chord construction, arrangement and delivery. Dylan was the first re

| Producer = [[George Martin]] ...s every time or Paul and I would have had to say, "OK, we'll only have two songs on every album," and that wouldn't have been fun for Paul and I. It had to

| Writer = [[George Harrison]] | Producer = [[George Martin]]

| Producer = [[George Martin]] ...] at the session and learned it on the spot &#151; but it was thought out. George learned it, then I learned the harmony to it, then we sat and played it.|qu

| Producer = [[George Martin]] ...altogether where one of us might not have been on.|quotewidth=500px|George Harrison, [http://www.beatlesinterviews.org/db1977.0200.beatles.html ''Crawdaddy Mag

| Producer = [[George Martin]] .... He was busy and I was itching to get on with it; I was inspired. I think George had a lot of difficulty forgiving me for that. It hurt him; I didn't mean t

| Writer = [[George Harrison]] | Producer = [[George Martin]]

| Producer = [[George Martin]] ...d like somebody's asleep, which is very difficult.|quotewidth=500px|George Harrison|1966}}